Using Psychological Principles to Plot Your Characters

by Brooke McIntyre

Author Jessica Bayliss worked as a psychologist for years before beginning to write in her spare time. As her writing projects grew into novels, she discovered that the same principles she used as a therapist helped her more deeply understand her characters. At the May Professional Series, Bayliss explained the core model she uses as a psychologist, and how writers can use that model to write more believable characters.

Our stories include both an action plot–what is happening in the character’s external world– and an emotional plot–what is happening to the character internally. The Cognitive Behavior Therapy (CBT) model relates the two. In the CBT model, a character has thoughts about their particular situation. Their thoughts generate emotions. Their emotions, in turn, drive behavior.

Spring into Magazine Writing for Children

by Leah Heilman Schanke

In the April 2018 Professional Series presentation, participants learned that writing for magazines is a good way to break into children’s publishing because:

1. It’s a repeat market – magazines need nonfiction, fiction, recipes, etc. every month.
2. It’s often overlooked.
3. It’s more open to new writers – publishers are often not open to unagented and never published talent.

What Writers Need to Know to Survive with Quressa Robinson

by Brooke McIntyre

Literary agent Quressa Robinson emphasized grit and endurance as top skills needed by writers throughout their careers, as she gave the Professional Series lecture for January. Robinson came to agenting after five years as an editor at Macmillan, where she acquired adult fiction titles. Now at Nelson Literary Agency, she represents authors of young adult and adult fiction. Working with writers as both editor and agent has taught Robinson that “publishing is 99 percent rejection.”

Agents’ Panel 2017

The November 2017 Agents Panel, an annual event sponsored jointly by SCBWI-Metro NY and The New School’s creative writing department, featured three literary agents responding to questions about the author-agent relationship.

Panelists Molly O’Neill of Root Literary, Carrie Pestritto of Prospect Agency, and Brooks Sherman of Janklow & Nesbit discussed how writers can, as Sherman put it, “negotiate their transformation from artist into small-business owner.” The panel was moderated by SCBWI-Metro NY volunteer Adria Quinones.

Nick Bruel: How Did the Dog Find Out?

by Judy Shemtob

Nick Bruel, author and illustrator of the Bad Kitty picture book series, advised SCBWI-Westchester attendees to be curious, compassionate, and brave at his Nov. 4^th workshop, “The Three Things Necessary to Write a Story.” He treated participants to a Saturday afternoon of creating their own characters, cartoons, and stories as he brought out everyone’s creative self.

Truffles, Tardigrades, Meteorites and Museums: Nonfiction with Jessie Hartland

by Annie Ruygt

Author and illustrator Jessie Hartland, the October speaker in the Metro NY Professional Lecture Series, often writes about icons: Steve Jobs: A Graphic Biography and Bon Appétít: The Delicious Life of Julia Child are two of her recent titles. Her bright, playful illustrations have a following that transcends the normal age bracket for picture books. What people don’t see is the months, sometimes years, of research Hartland pours into each book.

Be the Hero of Your Writing Process with Kendra Levin

by Leah Heilman Schanke

Kendra Levin, Executive Editor at Viking Children’s Books, author of The Hero Is You, and the September speaker in the SCBWI-Metro NY Professional lecture series, shared how writers can use the hero’s journey model to create a “holistic, healthy, creative writing process.” Many writers struggle with process and experience dark moments where they wonder, “Why am I writing this?” Levin said. “Writers need to find ways to work organically and be their best selves.”