illustrators

Truffles, Tardigrades, Meteorites and Museums: Nonfiction with Jessie Hartland

by Annie Ruygt

Author and illustrator Jessie Hartland, the October speaker in the Metro NY Professional Lecture Series, often writes about icons: Steve Jobs: A Graphic Biography and Bon Appétít: The Delicious Life of Julia Child are two of her recent titles. Her bright, playful illustrations have a following that transcends the normal age bracket for picture books. What people don’t see is the months, sometimes years, of research Hartland pours into each book.

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What Makes a Good Portfolio

By Sabina Hahn

The SCBWI Tuesday Night Professional Series wrapped up 2016 with Nicole de las Heras and Maria Mondugno speaking to an enthusiastic audience about what makes a good portfolio.

Nicole de las Heras loves pairing the right artist with the right manuscript and collaborating with artist and editor. She has lots of opportunities to do this as an Art Director at Random House Children’s Books, where she oversees board books, picture books, leveled readers, and early chapter books. Emily Winfield Martin, LeUyen Pham, Brigette Barrager, Josie Portillo, Ruth Sanderson, and Mike Boldt are among the artists she has worked with. Another thing she loves about her job is finding new talent.

As soon as she could write her name, Maria Modugno got her first library card. A lifelong reader, she worked at a number of publishers before joining Random House in 2012 to specialize in picture books. The books she has edited include The Napping House and stories about Toot and Puddle, Pinkalicious, and Splat the Cat. She avoids acquiring too-long picture books and tests potential acquisitions with an egg timer.

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SCBWI Metro NY and The New School Agents Panel 2016

By Leah Heilman Schanke

For the third consecutive year, SCBWI Metro NY and The New School’s Writing for Children MFA program co-hosted an agents panel held at The New School. Linda Camacho of Prospect Agency, LLC, Susan Hawk of The Bent Agency and Andrea Somberg of Harvey Klinger Inc. were the featured agents. Adria Quiñones, a 2015 winner of SCBWI’s Emerging Voices Award, was the moderator.

The panel discussion began with what each agent is looking for. Linda Camacho said she doesn’t want to rule out any category but picture book representation is limited. Andrea Somberg also expressed a preference for MG and YA and emphasized that “diversity is a key word.” Susan Hawk is very open, joking that “you never know when you’ll read that amazing sports book.” She represents all categories of books for children and is “drawn to writing that is emotional.”

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SCBWI & The New School Agents Panel 2015

by Ellen Raskin

Agent Panel 2015Heather Flaherty of the Bent Agency, Alexandra Penfold of Upstart Crow Literary, and Alec Shane from Writers House were the featured agents at this year’s Agents Panel, co-hosted with the New School’s MFA writing program and held in November at the New School. The event was introduced by Caron Levis from the New School’s creative writing program and moderated by Gina Carey, a steering committee member of Metro-NY SCBWI, and Co-Regional Advisor Bridget Casey. Questions came from both the audience and the moderators. Here are some highlights:

Is an agent necessary?

All three agents: Yes! It’s a tough business and the complex contracts are usually familiar only to those in the industry. Agents also have unique relationships with publishers and editors. Agents protect writers’ rights so that writers may concentrate on writing.

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Picture Books: The Nitty, the Gritty, and the Oh-So-Fun

by Adria Quiñones

sept 2015We all love a good picture book. But how does it get to be good? The first Professional Series presentation of the 2015-2016 season featured two thirds of the staff of Paula Wiseman Books (an imprint of Simon & Schuster’s Children’s Division): Editor Sylvie Frank and Editorial Assistant Sarah Jane Abbott offered us a window into what happens after a publisher acquires a picture book.

Frank brought two books, Tammi Sauer and Liz Starin’s Roar! (to be published on October 6th), and Curtis Manley and Kate Berube’s The Summer Nick Taught His Cats to Read, to illustrate the editorial process. Over the course of six revisions, from the first manuscript edits to first sketches to the page breakdown to the final version, attendees saw how an editor and art director help the writer and illustrator refine their ideas.
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